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Kind of Blue (Legacy Edition)

Kind of Blue (Legacy Edition)

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Artist: Miles Davis
Label: Sony Legacy
Category: Music

List Price: $19.98
Buy New: $12.33 (On sale from $12.37)
as of 2/8/2012 15:45 PST details
You Save: $0.04


New (32) Used (11) from $9.33

Seller: -importcds
Sales Rank: 4927

Language: English (Unknown)
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.3
Dimensions (in): 5.5 x 5 x 0.6

UPC: 886972710525
EAN: 0886972710525
ASIN: B001KL3GZO

Release Date: January 20, 2009
Availability: Usually ships in 1-2 business days

Tracks:

  Disc 1
  • So What
  • Freddie Freeloader
  • Blue in Green
  • All Blues
  • Flamenco Sketches
  • Flamenco Sketches (alternate take)
  • Freddie Freeloader - studio sequence
  • Freddie Freeloader - false start
  • Freddie Freeloader - studio sequence 2 (previously unreleased)
  • So What - studio sequence 1 (previously unreleased)
  • So What - studio sequence 2(previously unreleased)
  • Blue in Green - studio sequence(previously unreleased)
  • Flamenco Sketches - studio sequence 1
  • Flamenco Sketches - studio sequence 2 (previously unreleased)
  • All Blues - studio sequence(previously unreleased)

  Disc 2
  • On Green Dolphin Street
  • Fran-Dance
  • Stella by Starlight
  • Love for Sale
  • Fran-Dance (alternate take)
  • So What (previously released in unauthorized form)

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Editorial Reviews:

Album Description
Originally released in 1959, Miles Davis's magnum opus Kind of Blue is still considered by many to be one of the greatest albums of all time. Starring Davis, John Coltrane, Cannonball Adderley, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb, Kind of Blue has held onto its status as an album that crosses genres, speaks to generations, and is one of the first (if not the first) album that any new jazz acolyte purchases. Kind of Blue (Legacy Edition) offers the complete studio sessions on 2 CDs, including false starts, alternate takes and a 17-minute 1960 live version of "So What."

Amazon.com essential recording
This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed

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